(Castellano) Ainhoa Arteta vuelve hoy a los escenarios
Posted by Leticia Martin on April 27, 2010 | No Comments
Posted by Leticia Martin on October 13, 2009 | No Comments
The application period for participation in the Cadaqués Orchestra international conducting competition will open soon. Thanks to this competition, prestigious conductors such as Gianandrea Noseda, Vasily Petrenko and Pablo González, winners in previous years, were able to give their careers a decisive push forward.
As on previous occasions, the competition includes both a classical orchestral repertoire, with works by composers such as Schubert, Beethoven and Mendelssohn, and Spanish music, old and new. The composer commissioned to write the compulsory piece for this 10th competition is José María Sánchez Verdú. It will be performed during the final stages of the competition.
The jury, chaired by the Russian maestro Gennady Rozhdestvensky, is made up of professionals from the world of music and – something that is basic to the proceedings of this competition – members of the Orquesta de Cadaqués itself.
Online application will be open from January 7th on the orchestra website, where you can view the terms and conditions, the history of the competition, and also the Orchestra’s activities. The competition repertoire may be acquired through www.trito.es.
Posted by Leticia Martin on April 24, 2009 | No Comments
The recent tour of the Orquesta de Cadaqués, conducted by Gianandrea Noseda, with concerts in Girona (28 April) and Zaragoza (29 Abril) focussed on Spanish music. The repertoire consisted of pieces by Isaac Albéniz, to mark the centenary of his death, and Enrique Granados, and their works were interpreted using the orchestrations that Albert Guinovart was commissioned to write by Tritó Edicions.
The Orquesta de Cadaqués presented four pieces from the Suite Española (Cadiz, Asturias, Cordoba and Sevilla) by Albéniz as well as his Canciones Italianas, interpreted by Ainhoa Arteta. Las Tonadillas by Enrique Granados completed a first part in which the Orquesta de Cadaqués, Gianandrea Noseda and Ainhoa Arteta paid their own special homage to Spanish music.
The concert programme was completed by F. Schubert’s Symphony nº 4.
Posted by Marcel Soleda on April 21, 2009 | No Comments
Two new titles have been added to the Solfa la Redonda collection of CDs for children, which maintains its policy of motivating and encouraging children to get to know classical music, this time counting on the voices of Gonzalo de Castro and Javier Cámara.
These two novelties by Spanish composers, El soldadito de Plomo (The Tin Soldier) by Emilio Aragón and las Fábulas de Lafontaine (La Fontaine’s Fables) by Xavier Benguerel, join the ranks of such notable titles and famous classics in the children’s repertoire as Peter and the Wolf by Prokoviev and the Story of Babar by Francisc Poulenc, already on sale.
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The Orquesta de Cadaqués Ensemble plays all the musical parts, conducted this time by Emilio Aragón and Philippe Entremont respectively. The narrative counts on the invaluable cooperation of some of the most versatile actors on the national scene, who took part in this project thrilled by the possibility of addressing such a demanding audience as children: Javier Cámara and Gonzalo de Castro join Tristán Ulloa and Leonor Watling, who have already participated in previous recordings.
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Tags:30548, el soldadito de plomo, emilio aragón, Gonzalo de Castro, Javier Cámara, Las siete fábulas de La Fontaine, orquestra de cadaques, TD00024
Filed under: Conjunt de cambraChamber ensembleConjunto de cámara, DiscosCDDiscos, Música contemporàniaContemporary musicMúsica contemporánea, Orquestra de CadaquésCadaqués' OrchestraOrquesta de Cadaqués, Xavier BenguerelXavier BenguerelXavier Benguerel, infantilchildren'sinfantil
Posted by Leticia Martin on March 18, 2009 | No Comments
On Monday 23 March, the Orquesta de Cadaqués ensemble, under the baton of Alejandro Posada, interpreted a programme that included three fundamental works by the composers Xavier Benguerel (Hexagrama), Ernest Martínez Izquierdo (Norte-Sur) and Jesús Rueda (Chamber concerto no 2).
These three works, written in very different languages, present part of the current Spanish music scene.
The concert was completed by one of Arnold Schonberg’s masterworks, Ode to Napoleon, with a solo contribution by the baritone and actor David Moss.
Further information at: http://cdmc.mcu.es/
Posted by Leticia Martin on January 10, 2009 | No Comments
Cap de Quers by David del Puerto, a work commissioned by the Orquesta de Cadaqués and the CDMC for the 9th International Conducting Competition of the said orchestra, was presented in Valladolid on 9 and 10 January. The principal conductor of the Orquesta Sinfónica de Castilla y León, the Columbian Alejandro Posada, chose this work for this season’s opening performance with the orchestra at the Auditorio Miguel Delibes in Valladolid.
Cap de Quers received its name from David del Puerto as a tribute to the Orquesta de Cadaqués and the conducting competition. It was played by the finalists in the 9th competition and it proved to be a work of great interest for both the musicians and the public, which was completely won over, as is demonstrated by the fact that it has been performed on several occasions since its premiere and will shortly be played at Auditorio Nacional de Madrid.
Tags:a, Alejandro Posada, Cap de quers, david del puerto, Orquesta Sinfónica de Castilla y León, orquestra de cadaques
Filed under: CompositorsComposersCompositores, ConcertConcertConcierto, Música contemporàniaContemporary musicMúsica contemporánea, Orquestra de CadaquésCadaqués' OrchestraOrquesta de Cadaqués, OrquestraOrchestraOrquesta
Posted by Leticia Martin on December 29, 2008 | No Comments
The Cadaqués Orchestra conducted by Gianandrea Noseda presents the complete symphonies of Johannes Brahms in a double CD.
This symphonic cycle, despite being one of the least extensive, is one of the keys to understanding the transition from classicism to romanticism and orchestral music from the 19th century to the present day.
The ODC ensemble, smaller than usual for this repertoire, becomes a brilliant tool in the hands of the Italian conductor, who knows every nuance of the score and brings out the best in each of the musicians with a splendid labour that results in masterly performances.
Simphnony no.1 Un poco sostenuto – Allegro
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Simphnony no.2 Allegro non troppo
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