Posts Tagged orquestra de cadaques

The rebirth of Xavier Montsalvatge

Posted by Soledad Sánchez Bueno on February 2, 2012  |  Leave a comment

This year marks the centenary of the birth of one of the most esteemed composers of our editorial house, the prolific Xavier Montsalvatge.

Numerous events will be performed during 2012 to honor his career and work.

TRITÓ joins tribute with a double-disc reissue released by our label in 2002. It brings together the masterpieces of the composer’s catalog (not the most performed): Sortilegis, Sinfonietta-Concerto, Metamorfosi de concert, Impromptu en el Generalife, Hommage à Manolo Hugué and the Concierto del Albayzín.

At that time, the album had been conceived not only as a tribute to the composer in his ninetieth year, but above all as a gift from a group of friends to the Maestro. It brought together many of the ideas that had emerged in conversations we had with Xavier Montsalvatge during his life.  Llorenç Caballero

This project would have been unthinkable without the presence of some of the great musicians of our time as Alicia de Larrocha, James Martin, Josep Colom and the Cadaqués Orchestra with Gianandrea Noseda as conductor.

Today our purpose is more ambitious, we want to help the music to appreciate and claim Montsalvatge from other countries, especially across the Atlantic.

Gianandrea Noseda conducts Albéniz and Granados

Posted by Leticia Martin on April 24, 2009  |  Leave a comment

The recent tour of the Orquesta de Cadaqués, conducted by Gianandrea Noseda, with concerts in Girona (28 April) and Zaragoza (29 Abril) focussed on Spanish music. The repertoire consisted of pieces by Isaac Albéniz, to mark the centenary of his death, and Enrique Granados, and their works were interpreted using the orchestrations that Albert Guinovart was commissioned to write by Tritó Edicions.

The Orquesta de Cadaqués presented four pieces from the Suite Española (Cadiz, Asturias, Cordoba and Sevilla) by Albéniz as well as his Canciones Italianas, interpreted by Ainhoa Arteta. Las Tonadillas by Enrique Granados completed a first part in which the Orquesta de Cadaqués, Gianandrea Noseda and Ainhoa Arteta paid their own special homage to Spanish music.

The concert programme was completed by F. Schubert’s Symphony nº 4.

Children’s classics in the Solfa la Redonda collection

Posted by Marcel Soleda on April 21, 2009  |  Leave a comment

Two new titles have been added to the Solfa la Redonda collection of CDs for children, which maintains its policy of motivating and encouraging children to get to know classical music, this time counting on the voices of Gonzalo de Castro and Javier Cámara.

These two novelties by Spanish composers, El soldadito de Plomo (The Tin Soldier) by Emilio Aragón and las Fábulas de Lafontaine (La Fontaine’s Fables) by Xavier Benguerel, join the ranks of such notable titles and famous classics in the children’s repertoire as Peter and the Wolf by Prokoviev and the Story of Babar by Francisc Poulenc, already on sale.

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The Orquesta de Cadaqués Ensemble plays all the musical parts, conducted this time by Emilio Aragón and Philippe Entremont respectively. The narrative counts on the invaluable cooperation of some of the most versatile actors on the national scene, who took part in this project thrilled by the possibility of addressing such a demanding audience as children: Javier Cámara and Gonzalo de Castro join Tristán Ulloa and Leonor Watling, who have already participated in previous recordings.

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Alejandro Posada conducts Cap de Quers in Valladolid

Posted by Leticia Martin on January 10, 2009  |  Leave a comment

Cap de Quers by David del Puerto, a work commissioned by the Orquesta de Cadaqués and the CDMC for the 9th International Conducting Competition of the said orchestra, was presented in Valladolid on 9 and 10 January. The principal conductor of the Orquesta Sinfónica de Castilla y León, the Columbian Alejandro Posada, chose this work for this season’s opening performance with the orchestra at the Auditorio Miguel Delibes in Valladolid.

Cap de Quers received its name from David del Puerto as a tribute to the Orquesta de Cadaqués and the conducting competition. It was played by the finalists in the 9th competition and it proved to be a work of great interest for both the musicians and the public, which was completely won over, as is demonstrated by the fact that it has been performed on several occasions since its premiere and will shortly be played at Auditorio Nacional de Madrid.

Cap de Quers

Gianandrea Noseda conducts Brahms

Posted by Leticia Martin on December 29, 2008  |  Leave a comment

The Cadaqués Orchestra conducted by Gianandrea Noseda presents the complete symphonies of Johannes Brahms in a double CD.

This symphonic cycle, despite being one of the least extensive, is one of the keys to understanding the transition from classicism to romanticism and orchestral music from the 19th century to the present day.

The ODC ensemble, smaller than usual for this repertoire, becomes a brilliant tool in the hands of the Italian conductor, who knows every nuance of the score and brings out the best in each of the musicians with a splendid labour that results in masterly performances.

Simphnony no.1 Un poco sostenuto – Allegro

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Simphnony no.2 Allegro non troppo

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All the symphonies were recorded at the Auditorio de Zaragoza after a tour of various Spanish cities.

The Orquesta de Cadaqués accepted the challenge of making the first recording of this complete set by a Spanish ensemble, with a magnificent result that is on a par with the key recordings of this repertoire. A recording that was an important undertaking in both its artistic and technical aspects and which will surprise and please both the connoisseurs if this repertoire and those who are listening to it for the first time.

Simphnony no.2 Adagio non troppo

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Simphnony no.3 Andante

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Simphnony no.3 Allegro

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Further information at www.trito.es

Fernando Sor, Overtures and Symphonies

Posted by Marcel Soleda on November 17, 2008  |  Leave a comment

Fernando Sor, Oberturas y sinfoniasFernando Sor (Barcelona, 1778 – Paris, 1839) was undoubtedly one of the most internationally renowned Spanish composers. Known mainly for his guitar music, Sor’s orchestral works have often been ignored. In recent years, studies by several musicologists have re-established his reputation as a composer of orchestral, ballet and other works, and as one of the leading composers in Spanish Classicism and pre-Romanticism.

Tritó has spent years restoring some of these scores and the Cadaqués Orchestra, under the direction of Sir Neville Marriner, has now recorded a selection. This is the first CD devoted entirely to Sor’s orchestral works, as well as the first recording of some of the works included.

The CD, which we hope will give Sor the respect he deserves as a composer of orchestral works, features the following: the overtures to the ballets Hercule et Omphale, Alphonse et Leonora and Cendrillon, and the melodrama La Elvira portuguesa, and his Symphonies No. 1 in C major, No. 2 in E flat major and No. 3 in F major.

The Orquestra de Cadaqués celebrates its twentieth anniversary

Posted by Marcel Soleda on October 31, 2008  |  Leave a comment

On the occasion of the celebration of the twentieth anniversary of the Orquestra de Cadaqués, a selection of CDs with performances by the orchestra are on sale during 2008 in www.trito.es at a price of 8 euros (one CD) and 14 euros (double CD).

Guinovart – Morera – Txaikovski

The first CD in the Cadaqués Live Recording collection is a combination of music as eclectic as it is surprising. La vida secreta, by Albert Guinovart; las Cançons de carrer, by Enric Morera; and the Suite no. 4 in G major, “Mozartiana”, op.61, by Piotr Ilyich Tchaikovsky. Vasily Petrenko conducts the Orquestra de Cadaqués and the soprano Rosa Mateu.

Mozart – Haydn – Beethoven

The three masters of European Classicism coincide on this CD with works that are very representative of their repertory. The Overture of Le Nozze de Figaro, by W.A.Mozart; the Symphony nº 104 “London”, by F.J.Haydn; and the Symphony nº 4, by L.V.Beethoven. Gianandrea Noseda conducts the ODC.

Gounod – Fauré

Two of the main representatives of French Romanticism come together in a CD that contains three of their most notable works. Pavane, op.50 and Cantique de Jean Racine, by Gabriel Fauré, and the Symphony nº 2 in E flat major, by Charles Gounod. Sir Neville Marriner conducts the ODC with the collaboration of the Amici Musicae choir and the choir of the Auditorio de Zaragoza.

Mozart: The woodwind concertos

On this double CD the Orquestra de Cadaqués plays four concertos for woodwind by W.A.Mozart with the participation of some outstanding soloists: Christopher Cowie, Joan Enric Lluna, Jaime Martín and David Tomàs. Once again, Sir Neville Marriner leads the orchestra in the performance of the concertos for flute, oboe, clarinet and bassoon.

Mozart: Sinfonie concertanti

Yet again a monographic CD dedicated to the genius of European Classicism. This time it is the Sinfonie concertanti k.364 and 297b, with the first arranged as a double concerto y and the second as a concerto with a quartet of soloists. The Orquestra de Cadaqués, under the baton of its guest conductor, Sir Neville Marriner, manages to transmit perfectly the moments of resounding brilliance in the rapid movements, and also the high levels of restrained drama evoked by the andante in the first sinfonia. A real pleasure.

Mozart: The flute concertos

The same great sense of drama and stage presence that Mozart developed in the field of music for theatre is the driving force and the spirit which, in the purely instrumental field, characterises his repertory of concerto works.
 
And this is because, the same as in his opera arias, the possibilities of a musical approach as simple as the dialectics established between the individual and the group were fertile ground when it came to developing certain characteristics inherent to the creative side of the composer’s character. Sir Neville Marriner’s experienced baton and the virtuoso flute of Jaime Martín together, leading the Orquestra de Cadaqués.

 

Beethoven: Symphonies 1 and 2

In 1911 the manuscript of a symphony in C major was found in the city of Jena and attributed to Beethoven. For half a century it was considered to be his first attempt in this field. When the falseness of this claim was verified, the Symphony op.21 was definitively confirmed as his first contribution to a genre in which he established basic concepts of unavoidable reference for all those who would subsequently tackle this musical form.
 
At this stage in time there is little we don’t know about Beethoven’s symphonic work. The two symphonies are masterfully performed by the ODC, and with Sir Neville Marriner conducting.
 
For further information and mp3 samples click on the links for each CD.

“El Puerto” by Albéniz orchestrated by Jesús Rueda

Posted by Cristina Martí on July 30, 2008  |  Leave a comment

Jesús RuedaThis year’s Peralada Festival provides the setting for the Cadaqués Orchestra’s premiere of the fourth orchestration, done by the Madrid composer Jesús Rueda, of Albéniz’s Suite Iberia.
Suite Iberia is one of the best-known works by Isaac Albéniz. Originally written for piano, its scenes of Hispanic references have been orchestrated several times, but this is the first adaptation for classical orchestra. Rueda’s profound feeling for the music of Albéniz has produced orchestrations of Triana, Evocación, Lavapiés and now El Puerto that demonstrate tonal and musical richness.
In addition to El Puerto, the Peralada Festival concert, this 5 August, also features Evocación, under the direction of maestro Neville Marriner, principal guest conductor of the Cadaqués Orchestra.

El Soldadito de Plomo, at Petit Peralada

Posted by Cristina Martí on July 30, 2008  |  Leave a comment

logo de peraladaThe Perelada Festival embarks on a new venture with a firm commitment to attracting new audiences by bringing classical music in a broad range of formats to children. The Cadaqués Orchestra Ensemble, which has always had among its goals to educate people about music, will be performing “El soldadito de Plomo” (The Steadfast Tin Soldier) composed by Emilio Aragón, based on the tale by Hans Christian Andersen.

With great descriptive and dramatic power, Aragón’s music for this universal tale takes us through the story, narrated by the actress Rosa Novell, of the adventures of a toy soldier in love with a ballerina.

The narration is in Catalan, with Jaime Martín conducting the arrangement by Albert Guinovart. The Catalan version is available from Tritó as part of our La Corxera Juganera collection and will soon be out in Spanish with narration by Javier Cámara.

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